INTER

(prefix) in·ter /in(t)ər/

between, among

TERRARIUM

(noun) ter·rar·i·um /təˈrerēəm/

a sealed glass container that is used for cultivating living entities.

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Interrarium is an innovative re-purposing of the residency model focusing on a process-oriented, creative environment for dialogue, critical thinking and experimentation. It is a facilitator-driven lab for professional artists revealing creative practice across disciplines, viewed through the lens of the body, in an immersive environment.

Interrarium showcases dance, live art, cultural and artistic leaders from the international and Canadian community, and brings them together with an alchemy that inspires articulation of practice, rejuvenates artists, stimulates discussion, dissects cultural systems and processes, and forges productive relationships. Interrarium was devised by Nicole Mion, in cumulative creative conversations with active participants over its 13 years of gatherings.

This year Interrarium takes place in Calgary with a dynamic series of creative practice workshops facilitated by inspiring national and international guests.


 
 
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Baby, this is what you came for


or

I’m walking on my future


Miguel Gutierrez (New York)

SEPTEMBER 26 - OCTOBER 5, 2019

 
 

When: Sept 26 - Oct 5, 2019
10:00am - 6:00pm daily, with 1 day off.

Location: West Village Theatre, Calgary

Tuition Fee: $800; $75 non-refundable deposit required upon confirmation of registration.

*Open to artists of all disciplines interested in live performance.
*Subsidy available by application - APPLY BY AUG 23

REGISTRATION DEADLINE
FRIDAY, SEPTEMBER 6, 2019

 
… politics is activity already in motion. It does not await ignition.
— Randy Martin 

This workshop is a moving think tank. Choreography can be a framework for deploying difference in a time of increasing anxiety. What do I mean by difference? Who is in the room. What does it mean for us to be together? We are not the same but we are bound by invisible tethers and the strangeness of behaving together. I am interested in the strangeness and try to tease it out in ways both systematic and spontaneous. We make by doing. We perform as we make a performance, or participate in a workshop. I will share ways that I harness immediacy, mystery, relevance, irreverence and import. I am interested in what is definitive and unstable. Are we foolish for still being inspired by performance? I like dancing. I like it a lot. We become beautiful in the process of performing but beautiful is not enough. I want to hold all of us. I want the differences held. Do you care to join? It is all too much. 

Miguel Gutierrez lives in Brooklyn, NY. He creates dance-based performances, music and poetry that focus on desire, identity and the search for meaning. He is a 2016 Doris Duke Artist. His work has been presented in venues such as Centre National de Danse, Centre Pompidou, ImPulsTanz, Fringe Arts, Walker Art Center, TBA/PICA, MCA Chicago, New York Live Arts, Live Arts Bard, and the 2014 Whitney Biennial. He has received support from Creative Capital, MAP, National Dance Project, and Jerome Foundation and has received fellowships from the Guggenheim Foundation, United States Artists, New York Foundation for the Arts, Tides Foundation as well as a Foundation for Contemporary Art award and four NY Dance and Performance Bessies. He recently premiered This Bridge Called My Ass, a group performance that bends tropes of Latinidad to articulate new relationships to identity and form. It was presented by The Chocolate Factory as part of American Realness 2019. He currently performs a music project called SADONNA, where he turns Madonna’s upbeat songs into sad anthems. He runs LANDING, an educational initiative at Gibney, and his book When You Rise Up is available from 53rd State Press. www.miguelgutierrez.org 


Looking back

 
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Pleasure, Play, Sound & Movement

LEE SU-FEH (VANCOUVER) | JUNE 29 - JULY 3, 2019

 

This 5-day residency workshop was an encounter with the practice of choreographer, performer, and dramaturge Lee Su-Feh through an exploration of Fitzmaurice Voicework® (FV). FV is a somatic approach to voice that “explores the dynamics between body, breath, voice, the imagination, language, and presence. The workshop introduced participants to the foundational concepts of FV and explored them as part of a larger play of creating work.

Lee Su-Feh
is a dancer, choreographer, teacher, and dramaturge who has spent the last 30 years exploring the human body as a site of intersecting habits and histories. Born and raised in Malaysia, her early training began with a mix of traditional and contemporary South-east Asian dance and theatre. Since then, she has studied contemporary dance and theatre in Europe and North America with a variety of teachers and has along the way, developed a somatic approach to movement and voice deeply influenced by her lifelong studies in Chinese martial arts, Qigong and Daoism. Since 2010, she has been exploring the Fitzmaurice Voicework® in her practice; and is a certified Associate Teacher of the method.

 
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INTERRARIUM CURATORS SYMPOSIUM 2018

Building on a 12-year history of professional development programming, produced in partnership with the Banff Centre for Arts and Creativity, Springboard Performance hosted a special edition of Interrarium focused on live arts curation in April 2018.

Featured curators and animators included:

Dena Davida (Montreal, Canada)
Gustavo Filjakow (Germany/UK)
Julie Nagam (Winnipeg, Canada)
Alma Salem (Montreal/Syria)
Vivine Scarlett (Toronto, Canada)
Thomas Sellar (New York, USA)
Michèle Steinwald (Minneapolis, USA)

Learn more